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A tasting note: 2007 Gabrio Bini Serragghia Rosso Fanino

The first time I met Gabrio Bini was….hold on….Facebook. Not a wine fair where most people meet wine makers. It was after I uploaded a photo of his Serragghia Bianco 2007 about a year or so ago and commented that the wine was interesting but thought the fruit was under ripe and green. A Moscato di Pantelleria vinified dry in amphora without any additives, including sulfur.  I remember really wanting to love this wine for many reasons, but I couldn’t get around that under ripe fruit.  Well, Gabrio saw this upload and my comment and made a comment himself “you should taste my younger vintages then!”. I was surprised. Instead of getting offended and trying to defend his wine, he rather said I should taste again – a more recent vintage.  Enough said.

We didn’t talk again for about 6 or so months,  when i received a message in my inbox, once again on Facebook. It was from Gabrio asking me where he should send this bottle for me to taste. I said, better yet, I will be in Italy in a few months, save the postage and send to my Italian address. He said he would do one better, he said he would meet me and hand deliver the bottle.  And so that’s the way it went.

We met and he not only had that bottle for me to taste, but 3 others (and multiples of each), one of which is the wine I am tasting here.

Some people may say that Gabrio is a bit of an eccentric, including myself.  He splits his time between Pantelleria, Milano and Paris and alongside him always is his wonderful artist wife Genevieve.  I could say that actually his wines are in fact as eccentric as Gabrio himself, starting with the label – which is the same for all of his wines, except slight variations in color. A large arrow pointing straight up with the name of the wine written sideways

Ths Rosso Fanino is made from organically grown Cataratto (45%), Pignatello (45%) and Moscato d’Alessandria (10%). Fermented and vinified in amphora where it remained on the skins for 6 months giving this wine a gorgeous pink-orange color.   This process was made completely hands off.  The wine was bottled without filtration of course in April the following year.  1500 bottles were produced, 500 of which were transformed into sparkling versions that remained on the lees until very recently.

The back label even goes so far as to list ingredients, analytical figures like volatile acidity, etc and states in capital letters “NON CONTIENE SOLFITI” – “doesn’t contain sulfur”. At less than 10mg total sulfur, you don’t have to write on the label that the wine contains sulfur, but he takes it one step further. Obviously somebody from high up didn’t like this, and he is no longer allowed to list the ingredients on his back labels.

 

Date Tasted:  November 19, 22:00

Appearance:  see for yourself – click on decanted wine image to enlarge

Nose:  In one word, Spring.  Earl grey and mint tea aromas along with red flowers, like roses. Rose hips, musk and hints of watermelon as well.  Slight balsamic scents round of the wine well, as do the delicate mineral aromas.

Palate:  Wow.  Tea-like again, delicate and fresh. Tannic, but not too.  Again the rose hips and mint tea, delicate red flowers and red berries with a refreshing quality about it that you don’t often find in wine. The wine was too drinkable, if there is such a thing.

If you want to taste the wines of Gabrio Bini, last i heard, Pierre Jancou was serving them at his new Parisian establishment, Vivant.

Category: 1 WINE, 3 TASTING NOTES, Italy, natural wine (100% living wine), Pantelleria, Sicilia

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A tasting note: 2008 Porta del Vento Saharay

Azienda Agricola Marco Sferlazzo
Contrada Valdibella
90043 Camporeale, Sicilia
info@portadelvento.it
www.portadelvento.it

Certified organic Catarratto grapes grown with the help of biodynamic preparations at an altitude of about 600 meters above sea level. Grapes are harvested by hand and brought immediately to the winery where they are gently crushed and left to ferment spontaneously. The skins are left to macerate with the juices for about 30 days in open oak vats without temperature control and without the addition of sulfur. Punching down the cap is done by hand 3 times a day, followed by a soft pressing in a manual press.  Maturation in 2500 litter botti (oak barrels) for just under a year. Bottled without filtration and without the addition of sulfur, of course.

Date tasted (numerous times, but for this note):  Sunday September 11th, 2011 9:00pm

Appearance: Dark orange-amber with brownish reflexes (which increase with time in the glass). Shows a bit more age than the 3 years would indicate.

Nose:  spices, apricots, ginger, leafy, molasses and hints of volatility give this wine an interesting edge which keeps  you sniffing it for minutes and minutes before tasting it. Like many skin-macerated whites, this wine hints of sweetness which could lead the unsuspecting to expect a sweet wine on the palate. The last sniffs reminded me of Vin Santo (a sweet wine from Toscana made from dried grapes)

Palate:  I have tasted many skin-macerated whites and knew what to expect: a fruity, yet bone-dry wine. What I didn’t expect (and always surprises me with this wine) is the tannic structure. Owing to the long skin-contact and 10-12 months in oak barrels, this wine packs a tannic punch making it a perfect match for fatty foods such as Fois Gras, duck and some creamy cheeses.  I have also had success serving this with savory dishes like mushroom soup. Very spicy (cardomom, cinammon and ginger) with the usual yellow fruits like apricots and peaches. A semi-long and dry finish round out the wine nicely.

I like the wines of Porta del Vento and have tasted almost the entire product line. The prices are fair as well.  The Saharay I especially like because of it’s masculinity, a trait I don’t often find in skin-macerated whites making this wine more interesting to me. But I also have to point out a negative characteristic of the Porta del Vento wines I have tasted.  As far as I know, all the wines spend some time in oak and leave the mouth with this rather disturbing dryness. A dryness that can be attributed not only to the fruit, but to the oak.  Oak is certainly not dominant in their wines, in fact I would say that the oak is used judicially (it doesn’t “flavor” the wine).   I just prefer to have no oak in my wines letting the fruit shine through without any interruption, especially in wines that have such fresh fruit character, like the wines of Porta del Vento.  The other complaint I have is that these wines should be drunk up the night you open the bottle. Two or three days open and I find that the wines oxidize.

Back label detail - click on photo to enlarge

Category: 1 WINE, 3 TASTING NOTES, Camporeale, Italy, natural wine (100% living wine), orange wine, Sicilia

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A tasting note: 2002 Frank Cornelissen Magma 2 Marchesa

2009-06-09_62009009Date tasted:  June 9th, 2009

I have written before about Frank Cornelissen.  To refresh your memory, click here for one of my previous tasting notes and more about Frank.

I may not have mentioned this before, but I feel very fortunate to live in Norway when it comes to wine.  We do get our hands on some pretty obscure and rare wines that very few other places in the world get.  This wine is no exception.  The 2002 was his second vintage in which he produced about 2000 bottles total between the 3 Magma’s and one Rosso del Contadino.  In this vintage, Frank Cornelissen produced 3 different single-vineyard bottling’s of the Magma 2.  The Calderara, Trefiletti and the Marchesa vineyards.  Approximately 1300 bottles of the Magma’s were produced.  That’s it.

The Marchesa vineyard is an ungrafted vineyard which is normally very sun exposed and has a good balance between tannins and density.  According to Frank, this was a “backward” vintage, and therefore the alcohol was rather low, even harvesting as late as November 2nd.  Harvest of the Nerello Mascalese grapes are done by hand and the grapes are foot trodden.  The wine was fermented in Amphorae buried in the ground up to the neck (to keep the Amphorae from exploding during fermentation).  Only indigenous yeasts are used of course, and the wine is left to macerate with the skins for between 5 and 6 months.  The wine is bottled directly from the Amphorae without fining nor filtration.  Nothing is added nor taken.  No added SO2.

504 bottles of the Magma 2 Marchesa were produced, approximately 150 came to Norway.  Like I said, I feel fortunate to live in Norway.  Price at time of release, 1000 Norwegian Kroner ($155).

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Bottle opened at 22:45:

Appearance: Very light red but within 15 minutes darkening to a darkish purple, black then going back to red again within a few minutes.  This is certainly a “living wine”.

Nose: Crushed rose pedals, dark plums, rose hips. Very farmyard, especially dead sheep (the specific dead sheep comparison came from my two Norwegian friends who were tasting with me). Wild, sour, small cherries.  Hints of dark cocoa.  Hints of Macadamia nuts, eucalyptus.  Much more tight and precise than it was the first time I tasted this wine back in 2006. If you breath in deeply, hints of prune juice without the dried fruit aspect.

Palate: Extremely concentrated but very light and fresh with red fruit dominating.  Within a few seconds, the tannins arrived and held firmly.  None of us could sense the 13.7% alcohol, it was extremely well integrated.  The acidity was medium plus and very ripe and “sweet”, but the wine is bone dry.  Hints of plums that have been picked a week before being over ripe,  the fruit is very ripe.  No dried fruit evident.  Sour fruits.  Every sip seems different and has you going back for another.  The wine will most likely run out before we finish analyzing this bottle.  There is a slight nuttiness on the finish with super-ripe fruit that  lingers and these two aromas add incredible complexity to the wine.  One of the most fantastic and interesting wines I have ever tasted, again.

23:15:

Tannins really stepping up, but not dominating.  More nutty macadamia’s starting to show.

23:30:

This is the hard part of this entry, having to write and report the following:

The wine seems to be “dying”.  The finish seems to fade quickly now. The 3 tasters all agreed that the wine was now dead. Perhaps if we had waited, and if we had any wine left, the wine would have come back alive. I am not sure.  I should also mention that this wine was not stored perfectly.

To conclude, I feel that this wine will throw many old school wine people off.  I believe they will most likely say that the nutty aspects of the wine are signs of oxidation and therefore this wine is not a good wine, and therefore not well-made. This being said, you have to remember that when judging  a wine, you must do so as objectively as possible.  You cannot let your personal opinion of weather or not you like the wine enter into the equation.  There are many well-made wines that I just don’t like, that doesn’t change the fact that the wines are well made.

The facts about the Magma 2 Marchesa are that this wine is well made, has tremendous concentration, complex aromas both on the nose and palate, is extremely well-balanced and the finish seems to never end.  These are
facts that are undeniable and in my opinion reflect an excellent, well-made wine.  Don’t get distracted by the nutty aromas and forget the aforementioned quality attributes.

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Translation of back label:

Ingredients:  Only Nerello Mascalese Grapes from the 2002 harvest without the addition of any other ingredient.

Attention:  This wine has not been modified.  It doesn’t contain stabilizers nor preservatives.  There will be a natural deposit because the wine has been bottled without filtration.  It’s important to store the bottle at temperature of less than 16°C  (60.8° F).  It’s recommended to not decant.

Category: 1 WINE, 2 PRODUCER PROFILE, 3 TASTING NOTES, Frank Cornelissen - Mt. Etna (Sicila), Italy, Italy, Mt Etna, natural wine (100% living wine), Sicilia

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A tasting note: 2007 Frank Cornelissen Munjebel Bianco 4

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Date tasted:  June 2nd, 2009 15:00(3pm)

Frank Cornelissen owns about 12 ha on Mt. Etna in Sicily. He’s a non-interventionist who says “Consequently this has taken us to avoiding all possible interventions on the land we cultivate, including any treatments, whether chemical, organic, or biodynamic, as these are all a mere reflection of the inability of man to accept nature as she is and will be.”

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Frank & Alberto at the top of 'Rampante', the pre-phylloxera vineyard at 1010m altitude located above Solicchiata on Mt Etna after the devasting forest fire of 3 full days & nights.

On a postcard I recently received, he goes on to say  “To produce a bottle of genuine, natural wine, the recipe is simple:  take large quantities of dedication, determination, intuition and coherence.  To these ingredients throw in a strong dose of masochism in order to physically and emotionally survive the difficulties and downsides of this ‘Art of Wine’.  Finally, enjoy a glass (or more) of this wine, before sending the rest around the world to good homes.”

Of all the “natural” wines I have tasted, Frank’s are always the most interesting.  I am not saying that his wines are the most well-made of the natural wines I have tasted, but his are always the most engergetic.  And, definitely the most natural tasting compared to his counterparts.  From the very rustic labeling, to the almost opaque  wines that are very obviously not filtered nor fined.

This “orange” wine is no exception.  Made from the local (white grapes) Grecanico Dorato, Coda di Volpe, Carricante and Cattaratto grapes, this orange wine is barely see through.  This cloudy wine is so packed full of sediment that I swore I could see chunks of grapes floating towards the bottom of the bottle.  Of course this is a “slight” exaggeration, but it sure made me happy knowing that this wine was made from something (grapes) that was growing wild in the vineyards, and nothing else.   His wines are the most natural of the natural wines I have tasted, and this wine was no exception.  His wines have a certain “energy” about them which is hard to put in words, but they make you feel good.

The grapes for this wine come from various vineyards on Mount Etna owned and cared for by Frank.  Frank harvests the approximate 13ha/hl of grapes totally by hand.  The bunches of grapes are put into a destemmer and crushed, not pressed at this time.  This machine is more of a crusher than a destemmer as it hardly removes any of the stems at all.

The must is then placed into plastic containers in his backyard (no temperature control here) which are then covered with a tent-like plastic material to keep the rain out.  Of course only indigenous yeast here.  The wine is left to spontaneously ferment and macerate with the skins for about 4 months giving the wine it’s apricot-hued glow.  The wine is then pressed into Amphorae with the help of gravity and then bottled.  Absolutely nothing else is added to this wine. Nothing.  Not even SO2 (Sulfur Dioxide).  The wine is not fined nor filtered before being bottled and this is evident.  Since Frank bottle’s his wine without filtration, the last wines bottled have more sediment than the first ones.

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First tasting 1500 (3pm):

Appearance: A very cloudy, unfiltered appearance.  Loads of sediment which are very visible to the naked eye.  In the glass, the wine has an apricot juice hue with a medium intensity.  It is hard to analyze intensity with an unfiltered wine of this type (wine with high intensity glows can indicate a high level of intensity and vice versa).

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Nose: Apricots with hints of minerals and loads of farmyard (those of you familiar with red Burgundy know what I am talking about).  The distinctive (for me) Cornelissen pickle juice.  Dry hay and flowers.

Palate: Wild just like the other Cornelissen wines.  Typical.  A little tingle at the front of the tongue initially from the slight residual CO2, which quickly burns off with a little swirling of the glass.  Medium minus tannins.  High acidity, but not harsh, just mouth watering and mature.  Pickles and smoke.  Kumquats.  Essence of apricots and peaches, but not sweet.    Bone dry with around 2g/liter of residual sugar according to my palate.

Second tasting 1809 (609pm):

Nose: Much more pickles and farmyard.  Less distinct apricots.  The apricot aromas I do get are of unripe apricots.

Palate: Medium minus tannins.  Rosemary, sweet yellow fruit at the back end, apricots.  Finish is long and persistent with mild tannins, great acid and smokey flavors.  The wine sits and sits.

Interesting to note that although the wine was dry, it paired well with sweeter dishes.  It worked well with my honey and lemon marinated chicken.  It was also working surprising well with my Mexican Cactus Fruit.. Strange….

I’m always fascinated with the fact that the few bottles of natural wine that I manage to keep open a few days seem to only improve.

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Please check out my video wine tasting of Frank Cornelissen’s Rosso del Contadino! Click below and forgive the quality:

Wine Tasting with Vinosseur – 2007 Frank Cornelissen Rosso del Contadino 5 from vinosseur on Vimeo.

Category: 1 WINE, 2 PRODUCER PROFILE, 3 TASTING NOTES, 31 Days of Natural Wine, 9 WINE THOUGHTS, Frank Cornelissen - Mt. Etna (Sicila), Italy, Italy, Mt Etna, natural wine (100% living wine), orange wine, Sicilia

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Vinosseur is the company name of sommelier Joseph R. Di Blasi. Vinosseur.com is his web page where he writes about wine, food, restaurants and other gastronomic experiences.

Joseph has a special place in his heart for quality wines from the old world, especially France & Italy, with a strong focus on Organic, Biodynamic and Natural wines.

Joseph grew up in Italy and California, but left The States in 2002 and now resides in Poland.

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Joseph would love to hear from you! You can contact him by email at vinosseur@gmail.com