vinosseur

The Jura. One of my favorite areas of wine production in France. Just head West towards Switzerland from Northern Burgundy and you’ll get there.  Exciting reds made from the Poulsard grape and zingy whites made from the Savagnin, and you’ll also find the classics – Pinot Noir and Chardonnay, the grape tasted here. Except, this is not the same “Chardonnay” you find in Burgundy. Rather, a Jura-type Chardonnay which gives smaller yields.  You can read more about Biodynamic producer Ganevat from this very informative post.

Date Tasted:  November 18, 2011 22:00

Appearance: Rich golden yellow, click on photo

Nose: “Orangina” (orange soda – very strange), minerals. Not a very open and giving wine right away – especially following the Pierre Frick Cremant.  More the silent, elegant type. Restrained.

Palate: Extremely vinous, as vinous as a wine can get without adding something to get it that way. It spent 24 months in 500 liter barrels with the lees. Could lend to the vinousity. A very well integrated 12,5% alcohol – barely felt it. Not a very complex wine and not a very long finish. The best this wine offers is it’s concentration and texture.

A little too “buttery” and rich for my palate, but the structure, concentration and vinousity of this wine are major pluses. I think that many would enjoy this wine because of the mouth feel.  A great wine, but not a wine I would search out for myself. However, it might be interesting to taste an older vintage. Anyone?

I’ll be the first to admit that I am not a fan of Pierre Frick’s wines. I am sure the wines are good (in fact, positive they are good), and that they are made with quality, organically grown grapes, but they just don’t speak to me.  In fact, I have an issue with the wines of Alsace in general. Is it their flowery style I don’t like or their super-fruity expressions, some with residual sugar, that I find hard to gulp?  I have not tasted all the wines of Frick, have you seen how many different bottles of wine he produces?!

Anyway, on to this wine. A Crémant which is supposed to be one of the favorite of Frick’s wines according to many reliable sources – so I was looking forward to tasting it.  Made in the traditional Champenois method, then disgorged and dosed (upwards of Champagne Brut levels – I can only assume based on my tasting), this reasonably priced sparkler (about 55 Polish Zloty) is perhaps the most interesting sparkling wine available in Poland today.   That’s about all I can tell you about the wine because trying to find out any of the other details about it didn’t prove easy. i am not even 100% sure about the grape!  Pinot Auxerrois, Riesling, Pinot Blanc, or a combination of the three? One reliable source was confident that it was 100% Pinot Blanc. Ok, I’ll believe that.

Date Tasted:  November 18th, 22:00

Nose: Quince apple jam, semi-dried (not oxidized) yellow apples, persimmons, carrots (spiced, as in carrot cake),  and other sweet notes like melon, kiwi. Exotic but not tropical. Very complex indeed, very. I could have spent the whole night just smelling the wine, but I got thirsty

Palate: Very fruity with some residual sugar, not sure how much, but enough to give this wine a semi-sweet edge.  Pecan pie (caramelized pecan’s for those who have not tasted the pie version). Great acid with a super long and complex finish. Would be great with not too sweet dessert cakes and some semi mature cheeses.

A very complex wine that has a lot going on and so many aromas and flavors. So much going on that some might even say the wine was unfocused. I would say, rather, that the wine was entertaining and kept me coming back to the glass to see what i would find next.  It would an interesting wine  to try again in 3-5 years. Or, the hell with it. Drink it now!

Who knows, perhaps I am becoming a believer….

The first time I met Gabrio Bini was….hold on….Facebook. Not a wine fair where most people meet wine makers. It was after I uploaded a photo of his Serragghia Bianco 2007 about a year or so ago and commented that the wine was interesting but thought the fruit was under ripe and green. A Moscato di Pantelleria vinified dry in amphora without any additives, including sulfur.  I remember really wanting to love this wine for many reasons, but I couldn’t get around that under ripe fruit.  Well, Gabrio saw this upload and my comment and made a comment himself “you should taste my younger vintages then!”. I was surprised. Instead of getting offended and trying to defend his wine, he rather said I should taste again – a more recent vintage.  Enough said.

We didn’t talk again for about 6 or so months,  when i received a message in my inbox, once again on Facebook. It was from Gabrio asking me where he should send this bottle for me to taste. I said, better yet, I will be in Italy in a few months, save the postage and send to my Italian address. He said he would do one better, he said he would meet me and hand deliver the bottle.  And so that’s the way it went.

We met and he not only had that bottle for me to taste, but 3 others (and multiples of each), one of which is the wine I am tasting here.

Some people may say that Gabrio is a bit of an eccentric, including myself.  He splits his time between Pantelleria, Milano and Paris and alongside him always is his wonderful artist wife Genevieve.  I could say that actually his wines are in fact as eccentric as Gabrio himself, starting with the label – which is the same for all of his wines, except slight variations in color. A large arrow pointing straight up with the name of the wine written sideways

Ths Rosso Fanino is made from organically grown Cataratto (45%), Pignatello (45%) and Moscato d’Alessandria (10%). Fermented and vinified in amphora where it remained on the skins for 6 months giving this wine a gorgeous pink-orange color.   This process was made completely hands off.  The wine was bottled without filtration of course in April the following year.  1500 bottles were produced, 500 of which were transformed into sparkling versions that remained on the lees until very recently.

The back label even goes so far as to list ingredients, analytical figures like volatile acidity, etc and states in capital letters “NON CONTIENE SOLFITI” – “doesn’t contain sulfur”. At less than 10mg total sulfur, you don’t have to write on the label that the wine contains sulfur, but he takes it one step further. Obviously somebody from high up didn’t like this, and he is no longer allowed to list the ingredients on his back labels.

Date Tasted:  November 19, 22:00

Appearance:  see for yourself – click on decanted wine image to enlarge

Nose:  In one word, Spring.  Earl grey and mint tea aromas along with red flowers, like roses. Rose hips, musk and hints of watermelon as well.  Slight balsamic scents round of the wine well, as do the delicate mineral aromas.

Palate:  Wow.  Tea-like again, delicate and fresh. Tannic, but not too.  Again the rose hips and mint tea, delicate red flowers and red berries with a refreshing quality about it that you don’t often find in wine. The wine was too drinkable, if there is such a thing.

If you want to taste the wines of Gabrio Bini, last i heard, Pierre Jancou was serving them at his new Parisian establishment, Vivant.

Although the single vineyard Lia Ví 2010, (made without the addition of sulfur for the first time), is available now & super delicious, I decided to retaste the 2009 and provide you with a quick note.

November 10th, 20:38 -HAPPY BIRTHDAY MOM!

Appearance:  no development showing on this still young wine. A dark-ish garnet-red with bluish reflections.

Nose: Pure Barbera. Frutti di bosco (wild berries – mostly black, but some hints of red), hints of forest floor and black truffle.  Floral, mostly purple

Palate:  Great fruit attack with a minerality that gives the wine the feeling that it’s lightly sparkling, which it is not. Medium ripe acidity lending to the wine’s  juiciness, the juiciness you might get if you put a handful full of super ripe berries in your mouth.  Smooth, feminine tannins, just enough to make you reach for that semi-mature toma-Piemontese.  A slightly bitter,  semi-long finish.

I have stated before that I felt that Carussin creates bench-mark Barbera’s that everybody should be envious of. Not only the finished wine, but the grapes on the vine. This wine is alive and fun to drink.  A wine that can complement all parts of the meal, even white fish without pretentions. Enjoy…

Certified organic Catarratto grapes grown with the help of biodynamic preparations at an altitude of about 600 meters above sea level. Grapes are harvested by hand and brought immediately to the winery where they are gently crushed and left to ferment spontaneously. The skins are left to macerate with the juices for about 30 days in open oak vats without temperature control and without the addition of sulfur. Punching down the cap is done by hand 3 times a day, followed by a soft pressing in a manual press.  Maturation in 2500 litter botti (oak barrels) for just under a year. Bottled without filtration and without the addition of sulfur, of course.

Date tasted (numerous times, but for this note):  Sunday September 11th, 2011 9:00pm

Appearance: Dark orange-amber with brownish reflexes (which increase with time in the glass). Shows a bit more age than the 3 years would indicate.

Nose:  spices, apricots, ginger, leafy, molasses and hints of volatility give this wine an interesting edge which keeps  you sniffing it for minutes and minutes before tasting it. Like many skin-macerated whites, this wine hints of sweetness which could lead the unsuspecting to expect a sweet wine on the palate. The last sniffs reminded me of Vin Santo (a sweet wine from Toscana made from dried grapes)

Palate:  I have tasted many skin-macerated whites and knew what to expect: a fruity, yet bone-dry wine. What I didn’t expect (and always surprises me with this wine) is the tannic structure. Owing to the long skin-contact and 10-12 months in oak barrels, this wine packs a tannic punch making it a perfect match for fatty foods such as Fois Gras, duck and some creamy cheeses.  I have also had success serving this with savory dishes like mushroom soup. Very spicy (cardomom, cinammon and ginger) with the usual yellow fruits like apricots and peaches. A semi-long and dry finish round out the wine nicely.

I like the wines of Porta del Vento and have tasted almost the entire product line. The prices are fair as well.  The Saharay I especially like because of it’s masculinity, a trait I don’t often find in skin-macerated whites making this wine more interesting to me. But I also have to point out a negative characteristic of the Porta del Vento wines I have tasted.  As far as I know, all the wines spend some time in oak and leave the mouth with this rather disturbing dryness. A dryness that can be attributed not only to the fruit, but to the oak.  Oak is certainly not dominant in their wines, in fact I would say that the oak is used judicially (it doesn’t “flavor” the wine).   I just prefer to have no oak in my wines letting the fruit shine through without any interruption, especially in wines that have such fresh fruit character, like the wines of Porta del Vento.  The other complaint I have is that these wines should be drunk up the night you open the bottle. Two or three days open and I find that the wines oxidize.

Back label detail - click on photo to enlarge

L103 09, what? This wine is a Vino da Tavola (VdT), table wine in English. And by laws governing wine labeling in Europe, they are not allowed to put the vintage on the label. So, one way to let us know just exactly when those grapes were picked, wine makers often use L (lot) numbers to help indicate vintage. In this case, 2009.

European governing wine laws also don’t allow wine makers to put the ingredients on the back label of their wine bottles; something that is found on all food items. People just take it for granted that wine is a natural product and that of course, the wines we are consuming contain grapes, and only grapes.  Many of us know that this is just not the case. There are many (even 100) additives used in every-day wine making; some natural, some not.

This why I chose to drink not only wines that I enjoy and love, but I chose to drink wines that are made with grapes, and most of the time, only grapes. Nothing added, nothing taken.

Carussin is one of my favorite producers in Piemonte, a region known for it’s age-worthy Barolo’s & Barbaresco’s, neither of which Carussin produces. They produce wines of simplicity, wines of great fruit character and wines of consistent quality, made with nothing  more than quality, biodynamically grown grapes (a bit of sulfur is used, and that’s it).  Their Barbera d’Asti Asinoi  is my favorite barbera, and I often use it as a benchmark to which I compare other barbera’s. In my opinion, very few other barbera’s stand up to the fruit quality of the Asinoi, and once the price is considered, it’s a difficult barbera to beat.

The wine I tasted for this tasting note is Carussin’s entry level wine, Il Carica L’Asino. In 2005, a small farmhouse was purchased in the Valle Asinari region by Bruna Ferro & Luigi Garberoglio.  Soon after, the family discovered the diversity of two small parcels of “Cortese Alto Monferrato” grapes which sparked their curiosity.  They investigated a bit further by speaking to the previous owner, a sprightly & kind lady aged 83 years.  She explains that her and her husband began to plant cuttings of  Il Carica L’Asino (load on the donkey) on his land in the Valle Asinari after discovering  from friends in Acqui Termi, the existence of  this ancient Ligurian vine.  This is a curious coincidence that links Bruna’s love for the Asino (donkey) and this ancient Ligurian variety.

The biodynamically-grown Cortese Alto Monferrato & Il Carica L’Asino grapes for this wine are usually harvested in the first two weeks of September by hand.  The grapes are crushed and left to spontaneously ferment on their own in stainless steel.  Nothing is added during the entire process except a bit of sulfur.  A light filtration before bottling, and there you have it!

Here is some nerdy information:

Date tasted:  May 25th, 2011 19:24 - melanzane (eggplant) alla parmigiana in the oven!

Appearance: medium intense yellow with green reflexes. No age showing

Nose: a youthful, vibrant, medium intense nose of sweet yellow plums, arctic cloud berries and hints of elderflower. Subtle notes of sweet lime on the back end

Palate: Fresh, crisp and very fruity. Yellow plums dominate with a delicate mineral touch to give the wine a (slight) touch of weight, while remaining light and playful. Bitter almond hints surround the fruit. Medium, ripe acidity that cleans the mouth well and helps the wine linger around just long enough to remind you just how balanced this wine is. Five minutes in the glass and one degree warmer, and I find very slight hints of yeast and bread, but only slight. The bitterness also intesnifies a tad, which in my opinion makes the wine more interesting. A very well balanced, although simple, wine with a moderate 12% of alcohol. Great for aperitif or with simple tomato based dishes – like my melanzane alla parmigiana!

19:40

Nose: hints of hay start to appear.

Ok, you can’t make a wine without the addition of sulfite’s right? I hear this over and over again.  If this comment came from your average everyday wine drinker, then okay, at least this person would probably be open to my opinion on this, and would very likely listen with interest. Unfortunately, this comment most often comes from “knowledgeable” wine persons. Wine persons who the minute you say that you can make wine without the addition of sulfur, get in your face and say that it “is impossible!”.  At this point they’re smirking and looking the other way and don’t even want to humor the discussion

The second comment I hear often is, wines made without the addition of sulfur cannot be stored and must be drunk up right away. Hmmmm. These two reasons are exactly why I have my blog. So that I can express myself about things I not only believe in, but have some experience with.  My more than 7 years experience working and selling wine.  My more than 4 years experience working and selling wines made without the addition of sulfur. Actually, without the addition of anything. Like I always say, nothing added, nothing taken.  So there…

The Cuvée Raoul is a wine I have tasted many many many times. In fact, about two years ago when i first started to sell this wine at Jacob’s, we sold lots of it.  And I mean lots of it.  100′s of bottles. Why?  Because it was good and we liked it.  In fact, our guests liked it and these are the reasons  we could not keep the wine on the shelves…

Cuvée Raoul is one of the most consistent and stable “natural” wine’s I have sold (Bressan being another). There was hardly any bottle variation and once opened, stayed drinkable (in fact improved) for up 18 days.   I once had a bottle opened for 21 days before I noticed any fade in the fruit. Of course I must disclose that the 21 days was deliberate. We drank a few glasses, put the cork back in and placed it in the wine cooler…..and waited..

Gérald & Jocelyne Oustric’s Domaine Le Mazel is located just south of Ardeche in the Southern Rhône (in France, of course).  They have been making wine without the addition of sulfur since 1998. This might explain why their Cuvée Raoul was so stable, so alive.  They don’t add anything to their grapes after hand-harvesting the grapes. No yeast. No enzymes. No acid. No sugar. Nada

The 2006 Cuvée Raoul is made up of about 70% Grenache and 30% Syrah grapes from soil dominated by calcarious clay (vineyards are in Valvigneres). Spontaneously fermented in steel where it stayed on the skins (maceration) for 40-60 days before being pressed and transferred into cement where it matured before being bottled without fining or filtering.

Date tasted:  Saturday May 28th, 2011  17:45

(I will preface this by saying I hadn’t tasted the wine since my birthday over a year ago and wasn’t sure what to expect when i opened the cork)

color: still a perfect medium bluish-red, no real development showing. Medium intense and clean. No visible sediment.

Nose: Very intense and very, very aromatic. Floral – Violets.  Sweet cherries and “amarena” cherries. Hints of farm and cough syrup-like notes. Some gorgeous volatile aromas to help carry those aromas out of the glass and into my nose without being sour or vinegary.  Cherry cough drops. No development noted and no oxidized aromas. Very fresh.

Palate: Fine focused fruit showing no development on the palate either. Very sweet fruit. Very, very slight hints of cured meats (think prosciutto here), which I remember also being there the last time I drank the wine. Medium high acidity with medium, sexy (fruit) tannins that gripped nicely. Very long finish. Alcohol is hardly noticeable at all at 12.5%, only helping give this wine some weight.

We were pleasantly surprised at how well this wine was drinking going on 5 years and the only ingredient besides passion and love was healthy, ripe grapes.  Listen up…. not only was this wine made without the addition of sulfite’s, I was lucky enough to have not drunk it up “right away”.  These two facts brought us a half hour of great pleasure a few days ago..

A local boy who didn’t have the fortune of being born into a wine making family, nor did he inherit any vineyards, Thierry’s interest was self-inflicted. He was a young,  “angry teenager” when he created his first vineyard in 1982, a tiny 0,26HA (0,16HA of this were vines planted in 1961), next to Auguste Clape (La Côte), slowly thereafter adding two more tiny, well-located plots, Chaillot & Tézier. For the most part the vines were young, but to these babies he added some vineyards dated 1905-1908 and shortly thereafter, the addition of some Reynards that dated back to 1934. He now has a total of 4,15HA.

Today, Thierry produces three wines. Chaillot (approx 6000 bottles) from vines of less than 40 years of age, the older vine Reynard (approx 6000 bottles), and his sulfur-free version of Reynard (simply called “Cornas”, approx 2000 bottles), the wine discussed here.

Thierry has always worked on his own without an agricultural diploma, and without paying attention to what his neighbors were doing.   He does his own rootstock grafting and pruning of the vineyards to get his yields down to about 25-30 HL/HA.  He typically harvests later than his neighbors taking on more risk, yet allowing him to avoid chapatilization (the adding of sugar to unfermented grape must to increase alcohol).

In the cellar, he has practiced very low sulfur dosages in his vats since 1992. In 1996 & 1997, he used no sulfur. He has been making his Sans Soufre “Cornas” (from the Reynards vineyard) since 1998. He is known to use some other unorthodox techniques in Cornas like Macération Carbonique (carbonic maceration) for some of his grapes to extract fruit and to secure finesse. The Syrah grape is a grape that often requires aeration to eliminate the threat of reduction. Thierry’s answer this is simple: “I don’t add sulfur. Then you can leave the wine alone”, he goes on to say.

Date tasted:  June 2, 2010 23:30

Appearance: Very deep red with little or no visible development. I must disclose, however, that the room was very dimly lit and it was very difficult to gage any visible development.

Nose: Young & tight, extremely balanced nose of dark fruit with a bright fruit background. Super young black olives with fresh pepper. Very focused indeed.  A very expressive Syrah and a very typical Allemand.

Palate: Dark berries with sour red fruit to balance out the wine. Gripping acids and elegant tannins and a finish that “sticks around” for seemingly forever. A very sexy wine that can remind of a top Burgundy in its youth. Very elegant, tight and fresh. Very focused, tight, balanced and sexy! The alcohol is barely perceptible.  A statement in elegance, finesse and freshness.

00:36

Still an amazing and open wine, but very, very slight oxidation was showing at this point.. Then the wine disappeared into our bellies 

I have had the extreme fortune of tasting Allemand’s wines on numerous occasions and although my palate has evolved, his wines never cease to impress me.  I’ll raise a glass in his honor any time.

(Thank you to John Livingstone-Learmonth and  “The Wines of the Northern Rhône” for the useful Thierry Allemand information)

We are in Hungary now.  Not the famous Tokaj region centered around the small town of Mad, known for its glorious sweet Aszú wines.  Rather we are a bit further south and west. Perhaps the second most well-known wine region in this (perhaps under appreciated) wine producing country. We are in Eger.  Home of the “Bulls Blood”,  or locally “Egri Bikavér”.  Although ecological conditions favor white wine production, the fame of the region lies in its reds.

St. Andrea follows a simple philosophy, one that is not so seldom heard these days:  ”The quality of the wine is decided in the vineyard”. Not a new way of thinking, but a more and more common way of thinking. A philosophy that for the most part I agree with. You certainly cannot make a great wine without great grapes. But one cannot ignore the wine maker.  This is where a wine maker who listens carefully to his grapes can mean the difference between an average, every day bottle of wine and a great bottle of wine.  Dr. György Lőrincz (owner/oenologist) says “If an oenologist reaches this level of quality and can maintain it continuously with undiminished energy for decades, his vineyard can become deservedly prestigious, and establish iconic wines that can motivate other enthusiastic oenologists.”

I heard rumors that many consider St. Andrea as the best Pinot Noir producer in the area.   2,834 bottles produced

Date tasted:  May 17th, 2011 19:07

Appearance: very light in color, almost rosé like.  One of the lightest Pinot’s I have seen in a while. Medium intense reflexes. Young.

Nose: Wood, forest floor. Oak not abusive to the fruit. Ripe raspberries with smoky hints. Quite open already. Alcohol stings the nose a bit.

Palate: good attack and good structure. Medium plus acidity, nice fruit,  oak sits around the whole wine, gently coating the tongue and mouth. Surprising freshness. Alcohol is quite fresh and doesn’t dominate the wine.  For my palate, the oak is too much a piece of the puzzle. Perhaps the producer intended that this wine be stored a few years, but I’m not sure this is a wine that will improve for the next 5 years in the cellar. Judicious use of oak none the less, but it loses a bit of it’s drinkablity for me because of the oak, unfortunately. Drink now or enjoy over the next 3-5 years.

Most  of the producers (and grapes) in this area of Italy have names that the rest of Italy cannot pronounce. Take Vodopivec for example and the only grape they vinify, the Vitovoska. Even the wines made in this corner of Italy stray from the every-day wines that the average Italian recognizes and consumes. Yet, these are very much wines. These are living wines, often made only with grapes. Nothing added, nothing taken.

The wine for this tasting note was produced by Franco Terpin. A little easier to pronounce, yet far from typical.  Franco farms in a natural fashion without the  use of industrial fertilizers, herbicides or pesticides.  ”The vine listens. The vine understands”, says Franco.  Franco says that the Ribolla Gialla (called Rebula in this area) is difficult to grow and he only vinifies it in exceptional vintages. Harvest is done by hand, fermentation  (initially in steel) is spontaneous thanks to the extended skin contact.  The wine is then transferred to oak where it spends about one year on the lees. It  is then transferred to stainless steel where it spends another year. Then it’s bottled without fining or filtering and is left to rest for yet another year before going for sale.  Approximately 2500 bottles produced.  This wine is not available in Norway or Poland.

Date tasted: Tuesday May 17^th – Norwegian Independence day – 1845

Appearance: a slightly cloudy, orange-hued wine with a high intensity reflection. I just love the look of orange wines!

Nose: Oak  jumps out of the glass at first, with hints of reduction. Not a lot of fruit showing at this time. Mineral.  Some orange peel emerging, but the wine is still closed and not showing well yet. Some very slight, slight balsamic hints.

Palate: mineral, dry and surprisingly, the oak is less evident on the palate. The wine is quite intense on the palate and ends (many seconds after first entering the mouth) with a slight bitterness.  Medium-high acidity. Alcohol seems high, yet is well-integrated. The wood dries out the mouth very slightly, but not offensively . Very focused finish. Reminds of the peach iced-tea I just drank.  Super food wine i would imagine.

Wine is decanted………

Same night at  20:25:

Appearance hasn’t changed

Nose: More fruit has emerged. No sign of oak anymore. More herbs.

Palate: Still quite mineral. Oily. Orange peel. Pork fat, bacon. Alcohol is the only disturbance here, but the wine has been sitting in a decanter for almost two hours at room temp. Sits a long time on the palate. again, serious food wine. Fatty, oily. Texture is nice.

as we finished the last sips about an hour later, the wine had developed the sort of texture that helped the wine  just slip easily down the throat