vinosseur

“Go Orange!” is the theme here.  After more than a few years including my orange wines neatly hidden among it’s white counterparts, i have finally decided to create an orange wine section all of its own. You will find the orange wines listed after the whites and before the rosé’s.

I should also include my definition of orange wine here. In order for a wine made with white grapes to be included in my orange wine section, it should have at least 48 hours of skin contact.  In some instances this is enough to give the wines their orange-hued color earning their “orange” name.  In other’s, it’s just enough contact to give the wine a glowing yellow color a few shades darker than your average white.  The 2009 Sassaia from Angiolino Maule’s La Biancara is an example of this. Just 48 hours of skin contact gives this wine a glowing yellow, almost orangish color, and is therefore included in my orange wine section. An unsulfured and spectacular wine, I love it.  Look for a tasting note on it soon.

Along with some of the rarities you’ll find in the new orange wine section, there are some other new wines i should mention here. Like my first 100 % Merlot wine, the Rosso Masieri.   Also produced by the outstanding natural wine maker Angiolino Maule of La Biancara (the same guy who makes the Sassaia named above).

Some new wines and vintages from Jean-Pierre Robinot also made it onto the wine list, like his 2009′s Concerto & Regard along with two sparklers – all unsulfured of course.   Some interesting wines from Henri Milan, both white and red, from Provence.  A couple of new Sassella Magnums from Ar.Pe.Pe in Lombardia.  A couple of new Spanish titles, including one from the island of Tenerife.  I have also added the “Four Thirteen” wine from A Donkey & Goat winery in Berkley California – my only California wine on the wine list!  Named “Four Thirteen” because the wine is made with 4 of the 13 allowed Southern Rhône grape varieties.  Click on the Donkey & Goat bottle below to view the most recent wine list.

I just wanted to post a list of things that I believe in. These are just my beliefs, and are not necessarily truths for you. They are merely my strong opinions and may not reflect yours.

• Not all conventional wines are bad – If you like it, it’s good
• Great wine tasters are those with great recollection abilities
• A great quality wine can stay open for more than 3 days and remain drinkable
• What you can’t see can hurt you – Don’t filter the nutrients out of your wine
• If over used, sulfur does not preserve a wine, it kills it – Wine is a living thing, please use sulfur judiciously
• Wine comes in all colors: white; orange; rosé; red….etc.
• Natural wines still contain alcohol, so drinking 2 bottles per night may not be healthy
• Natural wines are often very food friendly
• The definition of «Terroir» must include the wine maker
• Not all Pinot Noir’s are good – Not all Merlot’s are bad
• Not all natural wines are good – If you don’t like it, it’s not good

I recently had the opportunity to meet with some wine enthusiasts in Warsaw, Poland. I didn’t know what to expect before the meeting except the fact that I had promised to bring 3 bottles of Magma and that they were extremely interested in tasting them.  On their part there was the promise to taste some Josko Gravner which also gave me something to look forward to.

Wojciech Bońkowski

Andrzej Daszkiewicz

I have to admit that most of my wine knowledge and experience have been gained living in Norway over the last 7 or so years.  I have tasted among whom I consider to be some of the best wine tasters I have seen.  Norwegians have refined palates and an amazing ability to analyze wine. I certainly feel privileged to have earned my experience in this country.  This being said, I was blown away by the tasting abilities of the small group that was gathered at  Mielżyński’s for this tasting.

Tomasz Kurzeja

Ewa Wieleżyńska

In a country that is jumping economically by leaps and bounds, most of it in the last two decades, it is still more common to see large commercial brands dominating the market.  This year I have witnessed wine shops opening up like mushrooms popping up after a rainfall, and often disappearing as quickly as those prized mushrooms. It was certainly a breath of fresh air, and of relief, to meet with such a group that not only had accumulated enormous wine knowledge, but who also seemed to really understand and enjoy wine without being captivated by a label, and have been doing so for years.

We met at Mielżyński’s, a warehouse of sorts that is an import company, a warehouse, distribution center, wine bar and restaurant.  A concept founded by Robert Mielżyński,  born in Canada, studied Oenology in Fresno, California, then moved back to his native Poland.  A concept that seems to be working well for Robert judging by the fact that it was a Monday night and there were no empty tables.  The wine selection was quite diverse ranging from Domaine de Chevalier to Frédéric Magnien to Allesverloren. There was no wine list, just cases and cases of wine that you can pick and grab yourself, or have somebody help you with your selection.  Having lived in Norway for over 7 years now (where the government-run wine monopoly system is in full force), it has been a while since I have seen a place that you could buy wine to drink there or take-away.  The dinner menu was presented to us on a portable chalk board, like you might see in a Paris bistro, and included simple (and delicious) dishes like pumpkin soup, Cornish game hen and a couple of pasta dishes.

Robert Mielżyński

My first Polish wine experience

Katarzyna Niemyjska

We started with a wine produced in Poland. A wine made not with grapes from the Vitis Vinifera species of vines responsible for almost every bottle of wine we consume, but rather from the crossing of  the Vitis Labrasca family and Vitis Vinifera.  The grape was called Hibernal, a white variety developed in Germany derived from a Seibel 7053 (V. Labrasca) & Riesling (V. Vinifera) cross.  An interesting wine made by a winery owned by Katarzyna Niemyjska and her husband with grapes from organic vineyards a few hours south of Warsaw.  On the nose the wine was slightly reductive at first, but with some swirling of the glass, the wine had smoky, mineral notes with light scents of lemons and herbs, most noticeably basil.  On the palate, lemons and bitter oranges, minerals and chalk. A bone dry wine with a nice acidic back bone and a slightly bitter finish. A fine and very interesting wine.

We then tasted good efforts from Zind Humbrecht, La Stoppa, Ostertag and Chateau Tour des Gendres.  We then moved on to some astounding wines from Josko Gravner. A 2000 Ribolla Gialla aged in Botti followed by a 2001 Ribolla Gialla in Amphora.  The difference from one wine to the next was astounding.  The 2001 Amphora version of the Ribolla had layers and layers of complex aromas and nuances that the 2000 just didn’t have. Botti versus Amphora OR 2000 versus 2001? You tell me….

We moved on to the Damijan Ribolla Gialla 2002 from Friuli Venezia-Giulia, on the border of Slovenia.  Damijan Podversic pursues natural winemaking, which he learned from the aforementioned, great Friulian producer Josko Gravner.  He releases his vintages only when he deems them ready.  This was an intriguing effort from a not so intriguing vintage.  A skin macerated Ribolla, fermented only with indigenous yeasts, with a structure to rival most red wines  yet fresh enough to quaff even the most thirsty wine drinker.  This was my first time tasting the wines of Damijan and I look forward to the next.  There is very likely a bright future for Damijan Podversic.

We completed the tasting with 3 versions of Frank Cornelissen’s Magma 2. All hailing from the 2002 vintage, each bottle representing a different Contrada. We tasted the Marchesa, the Calderara and the Trefiletti.  All three wines showed extremely well, with the Marchesa being my favorite.

According to Frank, the Marchesa comes from the part of the vineyard that is normally very sun exposed and has a good balance between tannins and density.  The alcohol is rather low (13,7%) on this wine in this vintage.   The grapes were harvested on November 2nd and 504 bottles were produced.   Light red with very little age showing considering this was an 8 year-old wine made without the use of sulfur.  None to very little browning on the edges. Extremely youthful on the palate as well, with even a slight “spritz” on the tongue like you might find in a wine bottled within the last 12 months.  Very Poulsard-like fruit (think Overnoy here and you might get the idea), medium ripe acidity and tannins that increased with some time in the glass. A delicious wine with tons of drinkability.

The Calderara comes from a vineyard that is very stony and sun exposed.  In a cool vintage like 2002, the fragrances are very Pinot like according to Frank.  In general this contrada produces very high alcohol wines when picked ripe. Harvested on November 1st, 297 bottles produced.  This wine on the other hand showed its more serious side with hints of meat and herbs. The tannins held longer and the wine was darker and more “masculine” compared to the sensual femininity of the Marchesa.

The Trefiletti vineyard is located in Rovitello and is difficult to push to ripeness without losing all fruit due to rot (grey as well as noble).  “This is the only time I have been able to produce Magma there due to the above mentioned climatic difficulties. I love this place for its balanced tannins, structure and elegance when all odds and ends fall together in one vintage, like 2002 pushing all limits”.  Harvested October 30th, 515 bottles produced.  This bottle was the most advanced of the three wines and showed it’s higher alcohol (14,4%) a bit on the tongue with hints of olives and truffles not found on the other two Magmas.

When sharing my tasting notes of the Magmas with Frank, he came back with this:  “This is by far the most evolved set of wines I have ever produced. Beside this fact, I have always thought the Calderara was the most feminin/Burgundian of the three. Less tannic than for example the Marchesa which always needed a bit more time.
The Trefiletti was, I think, an off bottle. Too much oxygen exchange due to a lesser cork has led to a tired wine. This is the more younger and best balanced of all three crus.”

This day in Warsaw, amongst such people and great wines, created a warmth inside that helped me feel at home in Poland.

Prince Makashvili Cellar - Soliko Tsaishvili, Irakli Pruidze & David Kapanadze

Date tasted:  July 11th, 2010 13:45

This grapes for this wine come from the Grand Cru vineyards of Akhoebi, in the village of Kardanakhi in the low hills of the Kakheti region.    The vineyard covers 1.9 HA and are farmed biodynamically and harvested by hand.  The soil is  black  and carbonate-rich.  The vines are widely spaced at approximately 2500 plants/HA, trained in a double Guyot pattern.  The vineyard is planted with approximately 90% Rkatsiteli, 4% Mtsvane, 4%Khikhvi and a red variety called Saperavi, all on original (non-American) root stock. Harvest is done by hand, the grapes pressed softly.  The wine is spontaneously fermented and macerated for 6 months with skins in Qvevri.  After skin and stalk separation, the resulting wine is stored in smaller Qvevri for a further 12 months.   Bottled without filtration.  In 2007 approximately 20hl/ha was produced, or 1200 bottles.

Appearance: Apricot-orange hued with golden edges.

Nose: Herbs and spices (lavender & rosemary)  layered on top of  yellow fruit.  Sweet arctic cloud berries with strawberry (yes, strawberry) notes.

Palate: Great focused fruit. Apricots mostly. Medium tannins with medium level acidity.  30+ second finish. Bone dry.

The Grand Cru Akhoebi was my favorite of the three I wines tasted.

Date tasted:  July 11th, 2010 13:45

This grapes for this wine come from the Grand Cru vineyards of Tsarapi, in the village of Kardanakhi.  The vineyards cover 1.25 HA and are farmed biodynamically and harvested by hand.  The wine is spontaneously fermented and macerated for 6 months in Qvevri, then stored in the Qvevri for a further 12 months.   Bottled without filtration, and on this particular bottle, this was quite obvious.  Approximately 20hl/ha is produced, or about  1200 bottles.

Appearance: Darker and more copper-hued with loads of visible sediment

Nose: Sponty aromas with apricots, with less herbs and spices than the Akhoebi Grand Cru.  My favorite on the nose of the three wines because it had that perfect balance between fruit and wild aromas with just enough minerals to give the wine a serious edge.

Palate: More vinous than the Akhoebi – thick, structured and concentrated.  Quite a serious wine and very mineral.  Medium + tannins and acidity with a long finish.  Bone dry, elegant fruit.

This wine wanted desperately to be my favorite, but it came in second behind the Akhoebi. However, with a few years more of cellaring, this may show even better than the Akhoebi.

My overall impressions were that these three Georgian wines I tasted were of top quality and quite serious food wines.  I would have no problem drinking them alongside my Friulian & Slovenian favorites.

Now, back to the future (today) and the wines of Georgia, all hailing from the Kakheti region located in Eastern Georgia, the driest of the 3 regions.  It is the largest wine region in Georgia spanning over  11,000 square kilometers.

All three wines were (mostly) of the same grape variety, Rkatsiteli (or Rkatziteli – pronounced rkah-tsee-tely, and directly translated means “red vine”).  The only Georgian wine experience I have had before today, was  tasting some half-sweet (non-representative) red wine that was poured from a decorated clay bottle, and let’s just say it wasn’t a wine to remember. In fact, I only remember the bottle to this day.   These three wines were not at all what I had anticipated. They were aromatic, complex, fresh and tannic wines that would do well with food.

This project started about 4 years ago when a group of Italian wine and spirit merchants (Luca & Paolo Gargano) from Genova purchased a 1.8ha vineyard in the village of Mararo.  With the help of Jean Jacques, a friend of Nicolas Joly, and a local farmer named Nodar Shinjiashvili who was  cultivating old varieties of cereals biodynamically, Clos des Amandiers was born.  In 2007 they released their first vintage, the first wine in my tasting.

The vines for this wine share the space with almond trees and are cultivated biodynamically.  Harvest occurred in October, the grapes subsequently softly pressed.  Fermentation occurred spontaneously with indigenous yeasts  in old Qvevri without temperature control.  Maceration lasted for six months in these Qvevri then transferred to smaller, non-buried Qvevri for 12 months maturation.  The wine was then bottled without filtration and left to age in the bottle.

Date tasted:  July 11th, 2010 13:45

Appearance: Quite a dark orange hued wine with copper and amber tones (think Cat’s Eye gemstones)

Nose: Wow, intense. Quite a sponty and wild nose of dried peaches, raw almonds, marmalade and yellow plums. Hints of jasmine and lavender emerge after about an hour.

Palate: A delicate and elegant entry. Red apples (yes, red) and yellow apples. Medium ++ tannins, medium + acidity (tangy). I found more fruit on the nose then I did on the palate.  The wine had a 30 second+ finish with dominating tannins and toast.

I feel that this wine would be very suitable to food.  Especially dishes with high contrasting flavors and moderately spicy food (because of the fruity aromas in the wine).  A dish specifically recommended to me would be yogurt-marinated baked mutton (meat of mature sheep).  My experience with orange wines is that they merry quite well with food in general, from your sweeter, more aromatic dishes, to meat dishes and finally with cheese.

Clay Qvevri ready to be burried neck-deep in the ground in the outdoor cellars, called Marani

Let’s go back let’s say, 7000 years, to 5000 B.C. … a time when grape-pip findings suggest that this country may be responsible for some of the first winemaking, and artifacts of the same age to help support this theory.  Georgia is unique in that, today, they still employ pre-classical winemaking techniques such as fermenting and storing wine in earthenware vessels known as Qvevri, (aka – amphorae), buried neck deep in the soil in the outdoor cellars, called Marani.

crushed grapes in Qvevri

hermitically sealing Qvevri

In these Qvevri you’ll find trodden grapes: skins, stalks and all!  These Qvevri are then hermetically sealed and left alone for months. The Georgians have been making wine in this way for at least 5,000 years, and they’re still doing this today.  It’s important to remember that wine is native to Georgia!

Very often winemaking is done with no chemical intervention both in the vineyards and in the cellar.   The resulting wine, which is be fermented either dry (without sugar) or not dry, can be extremely aromatic and seriously tannic.  And I mean seriously tannic!

The Georgian Wine Society

Georgia has 3 historic wine regions: Kakheti (more than 2/3 of all Georgian grapes are grown here); Kartli (where Qvevri are rare); and Imereti. (See map above)

The most commonly grown grape in Georgia is the Rkatsiteli, (pronounced rkah-tsee-tely, and directly translated means “red vine”).  This is perhaps the world’s second most planted white grape variety, the Italian variety Trebbiano being the first. The Rkatsiteli probably produces less wine (then the Trebbiano) and accounts for about half of the wine production in Georgia.  It used to be the most popular wine grape in the Soviet Union, due in part to its resistance to harsh winters and partly to  its universality.  The Rkatsiteli’s high acidity and maturity gives it the ability to make quality wine and quality spirit.  Even with all this talk of quantity, this is still considered a quality grape producing wines that can have style, character and refreshingly high acidity.  Good examples are full of spicy, floral aromas that can remind us of tannic versions of Alsatian wines.  If you’re curious about these wines and want to know more about what they look, smell and taste like, you’ll find out in Part II.

Have you’ve seen the movie Sideways? If you haven’t, you’re missing out. This is a movie about wine, and at the same time, not about wine. If you have seen it, you should remember this part of the movie.  It helped boost sales of Pinot Noir in The States and of course decrease Merlot sales. I witnessed this phenomenon first hand. I vividly remember drinking a glass of wine at Lavanda Restaurant & Wine Bar in Palo Alto when this movie hit the screens. I also remember that the movie was showing right next door to Lavanda and after the movie let out, people often wandered in and ordered a glass of Pinot Noir.

It’s been 6 years since the release of this movie and everyone still talks about Pinot Noir. In fact, to most wine connoisseurs, there is no more seductive grape than the Pinot Noir.  We knew this before the movie, and we still know it today. I too am a sucker for the great Burgundian Pinot Noir.  It’s a grape that can truly seduce with aromas of raspberries, cherries, forest floor and even flowers.  The Pinot Noir’s high acidity gives the wine freshness and longevity.  When you drink a truly great Pinot Noir, it can make you smile.

This being said folks, it’s time to move on and say “I’m not drinking any fucking Pinot Noir!” It’s time to give other (red) grapes a chance. Other grapes that I often look to to seduce me and make me smile!  Even getting me to jump out of my chair!  So what grapes am I talking about? Which grapes am I drinking most often these days?? Read ON!! Read the rest of this entry »

I am very grateful to be a part of Cory’s “32 Days of Natural Wine” series and to be among such talented and clever writers.  I personally don’t consider myself a very clever writer nor do I write as often as I would like to.   I spontaneously write like the wines I drink spontaneously ferment. I don’t write every day, twice a week or on a schedule.  Just like the wines I drink may not ferment immediately or with  selected yeasts. The wines I drink ferment on their own, when they’re ready, with their indigenous yeasts.  If I force myself to write, it will be a less than enthusiastic endeavor. If you add a selected yeast to crushed grapes, the resulting wine will probably also be a less than enthusiastic wine (I have read that in the late 90′s,  80% of wines were spontaneously fermented – a statistic that although may have shifted since then, is surprising).

What motivates and inspires me to write? Well, natural wine does, of course! But so do the slow sunsets we experience up here in Norway. They remind me how beautiful life is. Why don’t we sit back and appreciate what nature gives us?  Why should we do things that we don’t enjoy? Why should we eat or drink things that we don’t enjoy and don’t make us feel good?

Why do I drink natural wine?  Because I like the way it smells.  Because I like the way it tastes.  It evokes feelings of joy and the aromas are just so damn expressive.   The fruit quality in the natural wines I drink are so clear and transparent (not in the literal sense, cause you know I love those unfiltered wines!).  I like to taste and understand what I am drinking.  I’ve been criticized by many as having become too extreme. In my opinion, conventional wine has become too extreme.  Manipulated if you will.  Made to “taste” a certain way, to chase fads or trends and forcing the consumer to drink what’s “cool” as opposed to what’s real.  Why do people react when I talk to them about natural wine? Nobody reacts about organic, biodynamic or natural farmers market veggies, like this lettuce.

So, why any negative reactions about natural wine???  Many of these negative reactions come from the large, conventional producers. They would like you to believe that once you open that bottle of unsulfured (or low sulfured) wine, you better drink it up quickly or it will become undrinkable within a few minutes! Granted, a great bottle of natural wine will be drunk up in a matter of 10 or 15 minutes due to it’s drinkability!  I speak from experience when I say that a great bottle of natural wine once opened, can stay alive for even two weeks and sometimes longer.  I  have literally eliminated waste.  I have done numerous experiments  keeping bottles of natural (unsulfured) wines open (by hiding them) for weeks at a time. I even left an opened bottle of Bressan’s 1999 Pignol in my fridge for 21 days. I discovered this bottle after returning from my Christmas and New Year holidays and to my surprise, was still totally drinkable, alive, fresh and enjoyable!

Against the odds and despite the numerous remarks like “you can’t sell these types of wines”, I do sell these types of wines. My wine list, of approx 80 titles,  is approaching 100% Organic, Biodynamic  and Natural.  At least 20 of these wines are made without the addition of any sulfur.  And the sales keep increasing.  Just like all new experiences, the wines should be introduced. I don’t simply drop a glass of glowing orange wine at my guest’s table, I talk about the wine maker, the tradition and what he/she doesn’t do in the vineyards/winery.  Then the guest is not only more willing to taste, but can’t wait to taste. I am most often met with positive comments, and very rarely negative ones. Then the food arrives and natural wines work very well with food, as you know.  Before I leave the table, I have gotten in the habit of telling my guests to expect sediment in their wine because it’s unfiltered and if they don’t get any sediment, they should complain because there is something wrong .  This has eliminated the complaints I used to get regarding sediment in the bottom of the glass.

What about other spontaneously fermented products from nature? How about (more than) organic apples that are planted on Northwest facing slopes that bask in the long Norwegian summer hours of sunlight. When the apples are ready for picking, they are picked by hand and spontaneously fermented in plastic, just like the wines we enjoy. They are left to ferment until the process stops on its own. Sometimes the final cider is bone dry, and other times there is a bit of residual sugar. The cider is bottled without filtering out any of the nutrients and no sulfur is added, allowing those nutrients to stay alive, and make you feel good!

30 Year Old Golden Aroma Apple Trees Facing NW

Joar says "just a reminder that this is just me and my dad making cider because we like it, nothing more then that."

The 2008 dry cider - Sponty, sherry-like tones, sweet fruit & a fresh, dry & acidic backbone

I am not here to impress you with my writing, knowledge or with my love of natural wine and other things natural. You either like them, learn to like (and understand them) or you don’t. I just write what I feel from the heart, and from the fact that I  feel the need to share my excitement, or  ferment spontaneously if you will.  I am sure that the natural wine makers I most admire are also not trying to impress you with their wines. They are merely expressing themselves and the grapes they are growing  to keep their sanity, drink their own good wine and with the hopes to share their passion with others who understand them.  They are doing what comes naturally to them, from their hearts, their soil, their vines, their grapes, their wild yeasts….spontaneously.

If I made my point here in this post, you’ll grab for that glass of your favorite natural wine (or cider) and with the one(s) you love, watch the sunset in the distance.  Enjoy life and the good things it gives us without trying to manipulate and distort. It’s a post about being spontaneous and appreciating the simple things.

2005 Ghislaine Barthod Bourgogne Rouge (supermodel) VS. 2005 Frank Cornelissen Munjebel Rosso (girl next door)

Many of you are going to think this wasn’t a fair comparison, so I will start this post by addressing that issue.

Ghislaine Barthod has been among my favorite wine makers in Burgundy for many years. Her Chambolle-Musigny “Les Charmes” can make me dance. I know I am not alone in this opinion.  Ghislaine Barthod owns approximately 6.75ha in the Burgundy village of Chambolle-Musigny.  Ghislaine took over the wine-making responsibilities from her father Gaston in 1987, and from the 1992 vintage, her name appears on the labels.  Ghislaine has since brought down the yields and added a sorting table. There is more temperature control during vinification now, more pigeage (punching down of the cap) and less remontage (pumping over).  She now bottles herself rather than contracting out and only fines and filters when absolutely necessary.  Her 2005′s are known to be great, even at the Bourgogne Rouge (Village) level. Read the rest of this entry »

This project of mine started when I ordered a case of Frank Cornelissen Munjebel Bianco 5 and was lucky enough (rather unlucky) to receive a case with an open bottle.  This was the infamous bottle I had heard about a few months back. I was speaking to importers of this wine and they mentioned they had a customer of the Vinmonopolet (Wine Monopoly) return a case of the wine because they thought there was something wrong with it (we won’t get into this here, you know it’s my favorite wine…).  When I discovered this open bottle in the case, I thought “what the hell?! Why would they send this to me without opening the case and checking?!”

Well, you know the old saying.  Nature gives you lemons, you make lemonade. In this case nature gave me an almost completely full bottle of Munjebel Bianco, so I thought “why not make un-sulfured vinegar?”.   So here it is, about 6 months after I started this project.

I apologize in advance to the wine makers for converting their lovely wines into a lovely vinegar. I am storing the vinegar in a magnum bottle. Only unsulfured wines will be added as needed).

Color: Orange, copper.. Well you see in the picture!

Aromas: Acidic, vinegary with hints of orange citrus and toasted hazel nuts

Taste: First attack is orange peel with  hints of fresh fruit which is immediately followed by a grapefruit and vinegar taste. Medium acid with a slightly nutty finish. Very fresh and persistent finish which lingers without too much burning at the back of the throat.