vinosseur

Certified organic Catarratto grapes grown with the help of biodynamic preparations at an altitude of about 600 meters above sea level. Grapes are harvested by hand and brought immediately to the winery where they are gently crushed and left to ferment spontaneously. The skins are left to macerate with the juices for about 30 days in open oak vats without temperature control and without the addition of sulfur. Punching down the cap is done by hand 3 times a day, followed by a soft pressing in a manual press.  Maturation in 2500 litter botti (oak barrels) for just under a year. Bottled without filtration and without the addition of sulfur, of course.

Date tasted (numerous times, but for this note):  Sunday September 11th, 2011 9:00pm

Appearance: Dark orange-amber with brownish reflexes (which increase with time in the glass). Shows a bit more age than the 3 years would indicate.

Nose:  spices, apricots, ginger, leafy, molasses and hints of volatility give this wine an interesting edge which keeps  you sniffing it for minutes and minutes before tasting it. Like many skin-macerated whites, this wine hints of sweetness which could lead the unsuspecting to expect a sweet wine on the palate. The last sniffs reminded me of Vin Santo (a sweet wine from Toscana made from dried grapes)

Palate:  I have tasted many skin-macerated whites and knew what to expect: a fruity, yet bone-dry wine. What I didn’t expect (and always surprises me with this wine) is the tannic structure. Owing to the long skin-contact and 10-12 months in oak barrels, this wine packs a tannic punch making it a perfect match for fatty foods such as Fois Gras, duck and some creamy cheeses.  I have also had success serving this with savory dishes like mushroom soup. Very spicy (cardomom, cinammon and ginger) with the usual yellow fruits like apricots and peaches. A semi-long and dry finish round out the wine nicely.

I like the wines of Porta del Vento and have tasted almost the entire product line. The prices are fair as well.  The Saharay I especially like because of it’s masculinity, a trait I don’t often find in skin-macerated whites making this wine more interesting to me. But I also have to point out a negative characteristic of the Porta del Vento wines I have tasted.  As far as I know, all the wines spend some time in oak and leave the mouth with this rather disturbing dryness. A dryness that can be attributed not only to the fruit, but to the oak.  Oak is certainly not dominant in their wines, in fact I would say that the oak is used judicially (it doesn’t “flavor” the wine).   I just prefer to have no oak in my wines letting the fruit shine through without any interruption, especially in wines that have such fresh fruit character, like the wines of Porta del Vento.  The other complaint I have is that these wines should be drunk up the night you open the bottle. Two or three days open and I find that the wines oxidize.

Back label detail - click on photo to enlarge

Most  of the producers (and grapes) in this area of Italy have names that the rest of Italy cannot pronounce. Take Vodopivec for example and the only grape they vinify, the Vitovoska. Even the wines made in this corner of Italy stray from the every-day wines that the average Italian recognizes and consumes. Yet, these are very much wines. These are living wines, often made only with grapes. Nothing added, nothing taken.

The wine for this tasting note was produced by Franco Terpin. A little easier to pronounce, yet far from typical.  Franco farms in a natural fashion without the  use of industrial fertilizers, herbicides or pesticides.  ”The vine listens. The vine understands”, says Franco.  Franco says that the Ribolla Gialla (called Rebula in this area) is difficult to grow and he only vinifies it in exceptional vintages. Harvest is done by hand, fermentation  (initially in steel) is spontaneous thanks to the extended skin contact.  The wine is then transferred to oak where it spends about one year on the lees. It  is then transferred to stainless steel where it spends another year. Then it’s bottled without fining or filtering and is left to rest for yet another year before going for sale.  Approximately 2500 bottles produced.  This wine is not available in Norway or Poland.

Date tasted: Tuesday May 17^th – Norwegian Independence day – 1845

Appearance: a slightly cloudy, orange-hued wine with a high intensity reflection. I just love the look of orange wines!

Nose: Oak  jumps out of the glass at first, with hints of reduction. Not a lot of fruit showing at this time. Mineral.  Some orange peel emerging, but the wine is still closed and not showing well yet. Some very slight, slight balsamic hints.

Palate: mineral, dry and surprisingly, the oak is less evident on the palate. The wine is quite intense on the palate and ends (many seconds after first entering the mouth) with a slight bitterness.  Medium-high acidity. Alcohol seems high, yet is well-integrated. The wood dries out the mouth very slightly, but not offensively . Very focused finish. Reminds of the peach iced-tea I just drank.  Super food wine i would imagine.

Wine is decanted………

Same night at  20:25:

Appearance hasn’t changed

Nose: More fruit has emerged. No sign of oak anymore. More herbs.

Palate: Still quite mineral. Oily. Orange peel. Pork fat, bacon. Alcohol is the only disturbance here, but the wine has been sitting in a decanter for almost two hours at room temp. Sits a long time on the palate. again, serious food wine. Fatty, oily. Texture is nice.

as we finished the last sips about an hour later, the wine had developed the sort of texture that helped the wine  just slip easily down the throat

I’ve written about Marc Barriot and his Clos de l’Origine before, so if you wanna refresh your memory, click here. The wine i wrote about was one of his whites, but this is something completely different. It’s not red, that’s for sure, but it’s not really white either. Rather, this wine glows much like radiator anti-freeze fluid.. What? yup.. it does, check it out:

Date tasted:  January 26^th, 2011 21:00

Appearance: Orange, brown, greenish color. Much like radiator fluid?? The grenache gris is a light red colored grape which with some skin contact should give the wine a pinkish-orange hue.. Judging by the look of this wine (the color), it does suggest some oxidative wine making techniques.

Nose: at first whiff, reminds of an oloroso sherry, or better yet, a Marsala. It is an oxidized style wine. It does have a bit sharper aromas with some citrus, orange peels. Almonds, raw. Dusty, wet stones. Hints of caramelized nuts as well on the back. Hints of espresso. Strange wine. Sherry-like tones are what I keep coming back to. Pecan pie? I should also say that the aromas jump out of the glass and you can smell it from feet away.

Palate: Bone dry. Slightly nutty at first with some citrus peel and mineral. Nuts come back after swallowing. A bit of an alcohol sting, but not too much warmth. Very, very slight hints of rancio, with the dried, spiced fruit. Oxidative style really dominates. Fresh and rather light with a pretty good structure. It’s actually quite drinkable for this style of wine, but i still think I’d rather share the bottle. Semi-long, semi-sweet finish.

I wonder what Marc eats with this wine? Cheese? Charcuterie?? Or is it just as an aperitif?  I don’t love it. I don’t hate it…hmmmm, I’ll have to try it again tomorrow.

January 27^th, 2011 17:15

Nose: sweeter aromas today and more spicy notes. I swear i can smell dried apricots and more candied nuts. Much less noticeable alcohol on the nose today as well. I have to say that i am a bit surprised at how this has changed overnight for the better. Some of those oxidized notes that were so dominant yesterday have sort of «oxygenated» and burn off… an oxygenated oxidized wine?

Hmmm. My mouth is watering as I nose this glass…

Palate: Much «sweeter» on the palate today as well. Again, those apricots and candied nuts that I found on the nose. Alcohol also less noticeable than yesterday. A slight, very pleasant bitter almond finish appears today, and i love it. This is a great aperitif. Something about this also reminds me a bit of a vermouth, like Martini Rosso (minus the sugar). Know what I mean?

The finish is also longer and sits on the middle of the tongue, and the roof of the mouth. Like sucking on a candy.

I am enjoying this wine much more today than i did yesterday. Has this wine opened up and improved since yesterday? Am I more relaxed today? Is it a «better drinking day»? Or is it just because the wine is a few degrees cooler today giving it all these positive attributes? I don’t know. I know only that this is damn good right now. There is something about this wine that makes it much more quaffable than yesterday.

On January 30th, a few days after i started writing this tasting note, I got this message from Marc describing this wine:

“The Vin de voile is a mistake. he came from the quilles Libres 2004 grenache gris. i harvest the grenache gris the 20/08/2004, fermentation in big barrel for 30 days, then aging in barrels outside, bottling direct from the cask, only 13 % alcohol, a dry and fine rancio!!.

the color was a big rosé, so i put it outside in used barrels for 365 days. after sun, rain and wind it became a nice ‘ptit Vin Jaune” …

i decided to bottle it (600 bottles). i have 192 bottles left. pretty hard to sell in France when it is not a vin jaune !!

it is very good with cheese and foie gras or such spicy meals, but French are very chauvinistic so i keep drinking it slowly and give for special tasting…”

In a separate message, he confirms that this was his first vintage with this grape variety:

“the famous grenache gris which skin color is red, so at harvest when i press a bit too much, i extract too much color… and so it became a nice rosé!!

it takes time to like it, try whit a manchego, anchovies and pizza or foie gras (half cooked) if you still have some…”

January 31^th 2220

Appearance: Slightly more brownish in color as you see from this photo. This was to be expected as this wine is oxidized to begin with.

Nose: Aromas still jumping out of the glass as I pour the wine. Very «sticky». Marsala-like. Rancio more than on the previous days – these are my initial impressions as i am pouring the wine. I have yet to nose the glass. As I nose the glass I get very intense, nutty aromas today. Less fruity than on previous days. Walnuts. Nocino (walnut liquor). Worn leather.

Palate: Definitely more oxidized on the palate with some persistent bitter-sweet tones. Alcohol again more integrated. Long finish. Very marasala like and still very savory. I would definitely like this wine as an aperitif or with some nuts and cheese. .

I have tasted most of Marc Barriot’s wines. I like them all, but I have to say that my favorite is still the 2008 P’Tit Barriot which he has bottled in 2 lots.  The first bottling/Lot 1 -  “a very small parcel of old syrah on gneiss soil in Latour. i kept it for 4 years , very old and very low yield.”   Marc is currently bottling Lot 2 of this wine and here is the difference – “the second petit B is produced on the new terroir of Caudies far at the end of the department of 66, altitude quite high 360 m, limestone and schiste soil, lot’s of bird, bees, grass so a big Life over there!! no neighbour, very quite and lovely name: L’amourouse in catalan mean the lover.  It is a carbonic maceration aged in barrel(6 months) and tank until now to loose the technologic aromas and get the terroirs taste of these very “green region” which is the fenouilledes compare to the moon of “Maury” ??

For me, the P’Tit Barriot is full of personality and should be tasted if you have the chance.  I find it very quaffable and easy to like.  And who can resist the label..

Prince Makashvili Cellar - Soliko Tsaishvili, Irakli Pruidze & David Kapanadze

Date tasted:  July 11th, 2010 13:45

This grapes for this wine come from the Grand Cru vineyards of Akhoebi, in the village of Kardanakhi in the low hills of the Kakheti region.    The vineyard covers 1.9 HA and are farmed biodynamically and harvested by hand.  The soil is  black  and carbonate-rich.  The vines are widely spaced at approximately 2500 plants/HA, trained in a double Guyot pattern.  The vineyard is planted with approximately 90% Rkatsiteli, 4% Mtsvane, 4%Khikhvi and a red variety called Saperavi, all on original (non-American) root stock. Harvest is done by hand, the grapes pressed softly.  The wine is spontaneously fermented and macerated for 6 months with skins in Qvevri.  After skin and stalk separation, the resulting wine is stored in smaller Qvevri for a further 12 months.   Bottled without filtration.  In 2007 approximately 20hl/ha was produced, or 1200 bottles.

Appearance: Apricot-orange hued with golden edges.

Nose: Herbs and spices (lavender & rosemary)  layered on top of  yellow fruit.  Sweet arctic cloud berries with strawberry (yes, strawberry) notes.

Palate: Great focused fruit. Apricots mostly. Medium tannins with medium level acidity.  30+ second finish. Bone dry.

The Grand Cru Akhoebi was my favorite of the three I wines tasted.

Date tasted:  July 11th, 2010 13:45

This grapes for this wine come from the Grand Cru vineyards of Tsarapi, in the village of Kardanakhi.  The vineyards cover 1.25 HA and are farmed biodynamically and harvested by hand.  The wine is spontaneously fermented and macerated for 6 months in Qvevri, then stored in the Qvevri for a further 12 months.   Bottled without filtration, and on this particular bottle, this was quite obvious.  Approximately 20hl/ha is produced, or about  1200 bottles.

Appearance: Darker and more copper-hued with loads of visible sediment

Nose: Sponty aromas with apricots, with less herbs and spices than the Akhoebi Grand Cru.  My favorite on the nose of the three wines because it had that perfect balance between fruit and wild aromas with just enough minerals to give the wine a serious edge.

Palate: More vinous than the Akhoebi – thick, structured and concentrated.  Quite a serious wine and very mineral.  Medium + tannins and acidity with a long finish.  Bone dry, elegant fruit.

This wine wanted desperately to be my favorite, but it came in second behind the Akhoebi. However, with a few years more of cellaring, this may show even better than the Akhoebi.

My overall impressions were that these three Georgian wines I tasted were of top quality and quite serious food wines.  I would have no problem drinking them alongside my Friulian & Slovenian favorites.

Now, back to the future (today) and the wines of Georgia, all hailing from the Kakheti region located in Eastern Georgia, the driest of the 3 regions.  It is the largest wine region in Georgia spanning over  11,000 square kilometers.

All three wines were (mostly) of the same grape variety, Rkatsiteli (or Rkatziteli – pronounced rkah-tsee-tely, and directly translated means “red vine”).  The only Georgian wine experience I have had before today, was  tasting some half-sweet (non-representative) red wine that was poured from a decorated clay bottle, and let’s just say it wasn’t a wine to remember. In fact, I only remember the bottle to this day.   These three wines were not at all what I had anticipated. They were aromatic, complex, fresh and tannic wines that would do well with food.

This project started about 4 years ago when a group of Italian wine and spirit merchants (Luca & Paolo Gargano) from Genova purchased a 1.8ha vineyard in the village of Mararo.  With the help of Jean Jacques, a friend of Nicolas Joly, and a local farmer named Nodar Shinjiashvili who was  cultivating old varieties of cereals biodynamically, Clos des Amandiers was born.  In 2007 they released their first vintage, the first wine in my tasting.

The vines for this wine share the space with almond trees and are cultivated biodynamically.  Harvest occurred in October, the grapes subsequently softly pressed.  Fermentation occurred spontaneously with indigenous yeasts  in old Qvevri without temperature control.  Maceration lasted for six months in these Qvevri then transferred to smaller, non-buried Qvevri for 12 months maturation.  The wine was then bottled without filtration and left to age in the bottle.

Date tasted:  July 11th, 2010 13:45

Appearance: Quite a dark orange hued wine with copper and amber tones (think Cat’s Eye gemstones)

Nose: Wow, intense. Quite a sponty and wild nose of dried peaches, raw almonds, marmalade and yellow plums. Hints of jasmine and lavender emerge after about an hour.

Palate: A delicate and elegant entry. Red apples (yes, red) and yellow apples. Medium ++ tannins, medium + acidity (tangy). I found more fruit on the nose then I did on the palate.  The wine had a 30 second+ finish with dominating tannins and toast.

I feel that this wine would be very suitable to food.  Especially dishes with high contrasting flavors and moderately spicy food (because of the fruity aromas in the wine).  A dish specifically recommended to me would be yogurt-marinated baked mutton (meat of mature sheep).  My experience with orange wines is that they merry quite well with food in general, from your sweeter, more aromatic dishes, to meat dishes and finally with cheese.

Soil composition: Calcareous mineral base, with high presence of iron sesquioxides. Such geological characteristics, associated with this scarce endowment of organic and other nutritional elements, forces the vines to a slow vegetative growth, resulting in an extremely low production, with an overall benefit to the MACRO and MICRO components of the grapes, and therefore the wines.

• Total surface area:  1.41 HA
• Planting year:  1990
• # of vines/HA:  4630
• Sun exposition:  Southern, with rows oriented NORTHWEST-SOUTH
• Harvest:  Physiologically correct, by hand

Wine making: Grapes are de-stalked and soft-pressed, with cold decanting of the must and the total elimination of the entire part decanted.  20-25 days cold fermentation. Subsequent slow fermentation of the fine lees in stainless steel tanks; then aging for 12-15 months before bottling.  Bottles are placed in groups of 500 in large chests that are then stored in temperature controlled warehouses for additional aging.

• Alcohol content:  13%
• Total acidity:  5.20 g/l

Date tasted:  Saturday December 26th, 2009 12:02 (PM)

Appearance: “Ramato” – Copper-like color, but perhaps a bit lighter than the Verduzzo Fruilano with a tad more brownish tinge.  Medium plus intense glow.

Nose: Less intense than the Verduzzo Fruilano and more “feminine”. Fresh apricots and orange peel. Hints of star anise and mineral. Medium complex

Palate: Medium intense wine with orange citrus, hints of apricot, star anise and mineral.  Well-integrated alcohol, very fresh and drinkable. Very mild tannins, medium plus acidity with a long, mineral, fresh finish. One of the best Pinot Grigio’s I have ever tasted, if not the best.

Drinking very well now, but can be stored up to 5 years in my opinion. Another winner from Bressan…

In Part I of the Bressan producer profile, I discussed in depth the philosophy of Fulvio Bressan.  Now I will present some of his wines which I had the opportunity to taste.  Bressan is an artisan wine producer making wine in extremely small quantities, between 0-50,000 bottles per year.  They specialize in the production of indigenous grape varieties, including the wine being tasted for this tasting note.

The Verduzzo (Friulano) grape is indigenous to Friuli, but can also be found in the Veneto.  According to Fulvio, it is very rare to find dry versions of the wine made from this grape (only 2 or 3 other producers in Friuli  make it dry).  The Verduzzo grapes is unusual in that it has high tannins like you might find in a red wine. Therefore, if the grape is harvested too early, the tannins can be quite bitter and harsh, and therefore wine makers began adding sugar to the wine to make it sweet, thus masking the bitterness of the tannins. In Fulvio’s opinion (and in mine as well), a sweet wine will not be balanced when made in this way.  Fulvio instead picks his grapes at the optimal ripeness (because he is patient), and vinifies the wine as a dry wine.

The first thing you notice when pulling the cork out of the bottle is the quality of the cork itself. Fulvio swears by the quality of his corks and says that if you ever get a corked bottle, simply return the cork and he will refund you.

Read the rest of this entry »

Date tasted:  June 2nd, 2009 15:00 (3pm)

In the hills and mountains of Friuli-Venezia Giulia in North Eastern Italy, there are a group of winemakers that wish to make wine like they did centuries ago.  They farm organically and believe very firmly in the principles of natural wine making.  Ancient methods of cultivation are employed and the white wines are treated to extended maceration periods on the skins, producing “orange” wines.   Indigenous yeasts are used without the use of temperature control.  Fermentation takes place naturally and spontaneously.  In some cases, this takes place outdoors in large terracotta Amphorae.

The Vodopivec brothers’  Valter and Paolo’s winery is about 20 minutes north of Trieste, near the Slovenian border.  The brothers own a nursery and are plant and flower experts.  They have been making wine since 1995.  Up until the 2005 vintage, they have always used big Botti, now they are also using Amphorae.

The Vodopivec brothers usually bottle two different wines from the Vitovska grape.  The Vitovska grape is a vine with a greenish-gold berry that has always been cultivated in area of Trieste.  The name of the vine is undoubtedly of Slovenian origin, and was often called Vitovska Garganija.   The top bottling is the Solo, comprised of the top selection of grapes from older vines.  The second bottling is their second selection.

2005 was a challenging vintage with an overabundance of rain, therefore only one (hand) harvest was made. The Solo cuvée was not produced.  After harvesting, approximately 70% of the grapes were then fermented in Botti, the remaining 30% in Amphorae.  The wine was macerated with the skins for around 70 days.  Only indigenous yeast, no filtration, no treatments.  The botti were sprayed with about 10mg/liter of sulfur about 2 weeks before the harvest to “sterilize”.  The Amphorae were not sprayed.

There were two bottlings for the declassified 2005 vintage.  The wine fermented and aged in Amphorae has an orange stripe on the label.  The wine fermented and aged in Botti has a green stripe on the label.  This bottle was the Amphorae version.  Price in Norwegian Kroner is 320 ($50)

Appearance: Apricot, amber color. Clean. Medium plus intensity.

Nose: Spice, Cinnamon. Kumquat, Umami and orange peel.  Very intense and complex nose.  Keeps you going back to the glass to smell and smell again.  Also leaves the impression that this wine could be very fruity or even sweet.

Palate: Medium tannins and extremely focused fruit.  Orange peel and touches of spice.  Medium plus, mature acidity with a smooth, long and elegant finish.  Bone dry.  Really complex with some minerality on the finish.  Best enjoyed at closer to room temperature.  Goes very well with mature goat cheese.  I have also found success pairing this wine with pork belly in an Asian inspired sauce.

Although extremely enjoyable now in it’s youth, the wine’s concentration indicates to me the potential to lay down in the cellar for 5-8 years; perhaps more.

Date tasted:  June 2nd, 2009 15:00(3pm)

Frank Cornelissen owns about 12 ha on Mt. Etna in Sicily. He’s a non-interventionist who says “Consequently this has taken us to avoiding all possible interventions on the land we cultivate, including any treatments, whether chemical, organic, or biodynamic, as these are all a mere reflection of the inability of man to accept nature as she is and will be.”

Frank & Alberto at the top of 'Rampante', the pre-phylloxera vineyard at 1010m altitude located above Solicchiata on Mt Etna after the devasting forest fire of 3 full days & nights.

On a postcard I recently received, he goes on to say  “To produce a bottle of genuine, natural wine, the recipe is simple:  take large quantities of dedication, determination, intuition and coherence.  To these ingredients throw in a strong dose of masochism in order to physically and emotionally survive the difficulties and downsides of this ‘Art of Wine’.  Finally, enjoy a glass (or more) of this wine, before sending the rest around the world to good homes.”

Of all the “natural” wines I have tasted, Frank’s are always the most interesting.  I am not saying that his wines are the most well-made of the natural wines I have tasted, but his are always the most engergetic.  And, definitely the most natural tasting compared to his counterparts.  From the very rustic labeling, to the almost opaque  wines that are very obviously not filtered nor fined.

This “orange” wine is no exception.  Made from the local (white grapes) Grecanico Dorato, Coda di Volpe, Carricante and Cattaratto grapes, this orange wine is barely see through.  This cloudy wine is so packed full of sediment that I swore I could see chunks of grapes floating towards the bottom of the bottle.  Of course this is a “slight” exaggeration, but it sure made me happy knowing that this wine was made from something (grapes) that was growing wild in the vineyards, and nothing else.   His wines are the most natural of the natural wines I have tasted, and this wine was no exception.  His wines have a certain “energy” about them which is hard to put in words, but they make you feel good.

The grapes for this wine come from various vineyards on Mount Etna owned and cared for by Frank.  Frank harvests the approximate 13ha/hl of grapes totally by hand.  The bunches of grapes are put into a destemmer and crushed, not pressed at this time.  This machine is more of a crusher than a destemmer as it hardly removes any of the stems at all.

The must is then placed into plastic containers in his backyard (no temperature control here) which are then covered with a tent-like plastic material to keep the rain out.  Of course only indigenous yeast here.  The wine is left to spontaneously ferment and macerate with the skins for about 4 months giving the wine it’s apricot-hued glow.  The wine is then pressed into Amphorae with the help of gravity and then bottled.  Absolutely nothing else is added to this wine. Nothing.  Not even SO2 (Sulfur Dioxide).  The wine is not fined nor filtered before being bottled and this is evident.  Since Frank bottle’s his wine without filtration, the last wines bottled have more sediment than the first ones.

First tasting 1500 (3pm):

Appearance: A very cloudy, unfiltered appearance.  Loads of sediment which are very visible to the naked eye.  In the glass, the wine has an apricot juice hue with a medium intensity.  It is hard to analyze intensity with an unfiltered wine of this type (wine with high intensity glows can indicate a high level of intensity and vice versa).

Nose: Apricots with hints of minerals and loads of farmyard (those of you familiar with red Burgundy know what I am talking about).  The distinctive (for me) Cornelissen pickle juice.  Dry hay and flowers.

Palate: Wild just like the other Cornelissen wines.  Typical.  A little tingle at the front of the tongue initially from the slight residual CO2, which quickly burns off with a little swirling of the glass.  Medium minus tannins.  High acidity, but not harsh, just mouth watering and mature.  Pickles and smoke.  Kumquats.  Essence of apricots and peaches, but not sweet.    Bone dry with around 2g/liter of residual sugar according to my palate.

Second tasting 1809 (609pm):

Nose: Much more pickles and farmyard.  Less distinct apricots.  The apricot aromas I do get are of unripe apricots.

Palate: Medium minus tannins.  Rosemary, sweet yellow fruit at the back end, apricots.  Finish is long and persistent with mild tannins, great acid and smokey flavors.  The wine sits and sits.

Interesting to note that although the wine was dry, it paired well with sweeter dishes.  It worked well with my honey and lemon marinated chicken.  It was also working surprising well with my Mexican Cactus Fruit.. Strange….

I’m always fascinated with the fact that the few bottles of natural wine that I manage to keep open a few days seem to only improve.

Please check out my video wine tasting of Frank Cornelissen’s Rosso del Contadino! Click below and forgive the quality:

Wine Tasting with Vinosseur – 2007 Frank Cornelissen Rosso del Contadino 5 from vinosseur on Vimeo.

Date tasted:  May 19th, 2009

Exciting things are happening in Western Slovenia and North Eastern Italy.  The exciting thing that both countries have in common is the Rebula (Ribolla Gialla) grape which is quickly gaining cult status among us wine nerds.    It produces aromatic wines with high acidity and when a little skin contact is added to the mix, wines of great complexity and length can be produced.  (White) wines with skin contact are gaining popularity in the wine world and being referred to as “orange wines” due the color that extended skin contact gives the wine.

Vinarstvo Simčič is situated in Ceglo (Zegla), a small village in the region of Goriska Brda, by the Slovene-Italian border, by the Italian hills of Collio.  Half of their vineyards lie in Slovenia while the other half lie in Italy.  An hour and half drive will get you both to Venice or the capital of Slovenia, Ljubljana. I have been told that this is one of the top producers in Slovenia, if not the top.  In fact, I was speaking to a respected source who also sampled some of their red wines (blind) and said that they were better than many Bordeaux’s….

They grow 100% of their grapes in their vineyards, which cover 16 ha.   They believe in the most natural methods of viticulture, reducing crop and leaving the grapes on the vine as long as possible.  They also follow ancestral and traditional vinification methods in the cellar, which is located 5 meters underground.

This wine is the Rebula Reserva (Seleklija).  The Rebula vines are 48-51 years old and lie at an altitude of 200-250 meters above sea level.  They have a North-West exposure and the soil is composed of marl, slate and sandstone.  The grapes are hand-harvested (bunches are carefully selected)  at the beginning of October.  The fermentation takes place with the skins in 3000 liter conical oak barrels (tino) using only indigenous yeasts.  The wine is separated from the skins after 6 months of maceration.  The wine is then matured in big oak barrels for 2 years.  The wine was bottled in September of 2008 without fining or filtration.  No added sulfur.  Only 2000 bottles produced.  13.5% Alcohol (14% according to the label).  Total acidity is 4.56 grams per liter.  Price in Norway is 250 Norwegian Kroner ($39)

First tasting:  15:51 (3:51pm):  (from the refrigerator)

Appearance: Apricot orange.  Very clean looking with medium intensity.

Nose: Yellow fruit especially yellow plums.  Fresh apricots.  Hints of acacia honey.  Hints of herbs with underlying minerals

Palate: Ripe fruit, apricots, sultana raisins (semi-dry).  Medium to medium plus acidity.  Medium to medium plus alcohol.  Long finish, light minerality.

Second tasting:  16:31 (4:31pm):  (cellar temperature)

Nose: Tighter, more complex yet more focused.

Palate: Focus on the palate also sharper, alcohol a lot more integrated (interesting since this was now a few degrees warmer).  The wine has become very elegant with very mild tannins starting to emerge.

Third tasting:  21:00 (9:00pm):  (cellar temperature)

Nose & Palate: Amazing focus and elegance with “sweet” fruit emerging.  Lots of apricots.  Mild tannins, ripe acidity and great length.

This wine improved after being open half a day.  I often find that wines that are more natural tend to improve over the course of several hours and even days.  Unfortunately, this wine was so good that it never had a chance to make it to day two or three.  In my opinion this is a serious wine well worth the price tag.